Thursday, January 7, 2010

Finger Lickin' Good?


Wherein a possible racist slur opens up discussion regarding postmodernist theory and 'the global village'.

Dear Jouissance fiends, and free-play addicts!

So, it's been three weeks without Internet. I've moved house deep into the bushland of Van Diemen's Land to a place with neither garbage disposal, mail, or broadband Internet except via wireless connection. It's all a little too much 'The Hills Have Eyes' for my liking during my more sceptical moments.

But, as you can see, I have Internet on. And what shall I see when I first log on, but Australia, my very own antipodean paradise, once again falling into cyberland's headlines for another racist slur debate.

Now, I'm willing to go along with a theme for a while here. But I really don't want to turn this blog into another 'Defense of Australia's Inter-Racial Record' diatribe. Especially when the circumstances surrounding the whole affair are so ...juicy.

It's almost disappointing really when one sees the actual clip. So here it is:














Now, this really stunned me. Because, for a while, in all honesty I simply couldn't understand the reason as to why the advertisement really was racist. And then it hit me. This is all about what the post-modernists would call a discourse. Of course!




How does fried chicken possibly equate with post-modernist theory you may ask. Well it has to do with the whole idea, that a text is no longer a text by itself. A text must be read by a reader who then melds that text and filters it through the discourse that he/she identifies with. For instance, Derrida, I believe, talks about how its fine for us to watch two grown men attack one another when viewed through the discourse of a 'sport' such as boxing. But when seen outside of that context viewed by people who do not share this discourse where two men stripped down to their underwear attacking one another in a canvas square is socially acceptable because its a sport, when viewed by such people incapable of sharing in this narrative of meaning, suddenly the entire scene of ducking weaving and punching takes on a much more nightmarish context.




And we all have a context. We all have certain tropes that we consider to be normal. "Of course," we say, "but doesn't everybody do that?" Well no. The world is a big place. After all, it is still being argued as to whether there are cultures in the world who would find Shakespeare not only un-entertaining, but totally offensive. (And having watched The Taming of the Shrew recently with a modern third millennium discourse I have to agree!)




So this is what two cultures in the world, each with their different discourses would see when viewing the said advertisement.




The Australian:




A lone Australian supporter, watches a cricket game as the sole away team supporter amidst a sea of West Indies supporters who are being loud and distracting, but no more than the Australian supporting crowds are at home as well. In order to quieten the crowds down the supporter buys KFC, (who sponsor the cricket) and everyone shares in the meal and it's all 'too easy.' There are no slurs in the advertisement because it is one in a series of advertisements where crowds of people are quietened down by the same scenario. It's simply taking a theme used by the food company, KFC and making it more relevant to the cricket context in which it wedges its advertisements during change overs.




The American:




A lone white man sits civilised and quiet in an audience as raucous African Americans who dance and gyrate around him. In desperation to quieten them down, he turns to something that he knows will quieten down all African-Americans: fried chicken. He hands out fried chicken, which has long been associated with the poor southern African-American, and lo and behold the masses are satiated and quieten down, just like a crowd of children, or, if you like, just like all the racist caricatures would have you believe. And controlling such an unruly crowd of African-Americans is too the lone white man 'too easy'.




So, the question remains, is the advertisement racist. And there is a really simple answer to the whole debate: Yes and No.




American's may find this hard to believe, but no one in Australia who viewed that ad, even for a second would have assumed that they were African-American's, and really, in Australia, there simply isn't a racial stereotype involving poultry goods, deep fried or otherwise.




Read that statement very carefully. That's not someone saying "Oh but its all in good fun", but is instead someone stating that to millions of people in the world, outside of the American discourse, the very tropes that made such an advertisement offensive simply don't exist.




This being said, I can, when viewing the advertisement through the discourse of an American see how the advertisement could be interpreted as offensive. And I can see why KFC as a multi-national company, pulled the ad immediately when the furor arose. No company likes negative press.




But then, that very action immediately rose the hackles of all full blooded Australians as well. For you see, while Australians are without the social discourses regarding relations between white Caucasians and African-Americans (especially regarding chicken) that abound thick and fast in the American psyche, we do however, have heaps of tropes regarding inferiority complexes and love of the underdog which has been argued is a natural result of a nation the size of a continent formed for the express purpose of being a penal colony. So American Imperialism having a say on what can and can not be aired on Australian TV is considered entirely galling to the average Australian. Especially when looking at the Turk clip, where we can see that the commentators are obviously clueless regarding Australian culture.



And while I think, one nation imposing their culture over the top of another is repugnant in most cases, an interesting point is made: Most Australians would like the advertisement to remain, played in the context that is is watched by an all Australian audience where a pocket of understanding regarding the tropes is already possessed. But, in the age of cyberland or terra virtualis is this kind of anti-global thinking simply parochial and unrealistic.



But then, if we begin making concessions regarding the plethora of nationalities Internet viewers may be, should we then avoid showing souls of feet in all media clips just in case its seen in arabic youtube? That will of course, make filming traditional Japanese rituals very difficult!




The above is a hyperbolic example, but as we can see by a single fast-food advertisement, small things can become extremely problematic for international relations. This simple example of an inter-cultural cock-up will undoubtedly cost the Australian tourist trade greatly.



And where does district or national culture fit into the idea of the global village? And if we start taking views in regards to what is offensive and what is not, then whose views should we take in particular? America's? They have been in the past the great exporters of media. But in a new millennium of self created and informally viewed media in the form of the Internet, we can now say that China and India would be the bulk of numbers of Internet audience members. Should we then be turning to our Asian fellows in regards to Internet etiquette?


Either way, this sordid little affair has been fabulous for opening up a can of worms regarding who gets to dictate the international discourse of acceptable behaviour regarding internet relations, and it's a shame that al of the really interesting aspects of the affair have been sidelined to make way for more salacious but superficial race-debates.

7 comments:

  1. You raise a very interesting point, and yet I cannot help but feel that your opinions have changed somewhat since you wrote your earlier post about the blackface minstrelsy on Hey Hey. I felt that issue was just as nuanced as this one: within a local (parochial) context, there is no offence. Australia lacks familiarity with the experience of African Americans, and Australians cannot be expected to recognise the racist undertones of a genre that was developed in order to mock a people who have since become, to a certain extent, secure enough to be complicit in their own ridicule. And yet, if Australia is to take her place in the global arena, a familiarity with these issues needs to be forthcoming.

    I think that the KFC ad needed to be taken off air (KFC is, after all, concerned about their image in North America) and the producers of Hey Hey did need to have the issue brought to their attention. But both needed to be done with the same degree of sensitivity, as neither was the result of wilful ignorance or meanness in any way.

    I wonder: do you now feel differently about the blackface sketch on Hey Hey, it's Saturday, or do you feel that the two sketches are qualitatively different?

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  2. My Dear Mr Holloway!

    So good of you to visit my humble little blog with your nuanced opinions! Although, I figured the appaling stench of 'pigeon latin' reeking over cyberland would have drawn you here with a compulsion to correct it!

    But what an interesting question you raise. I do indeed believe that the two examples are very different. And I think it has to do with the fact that Minstrelsy is, at its very heart, a racist genre. Whilst the motivation may not have been aimed at being hurtful to people of African-American descent, the very act of utilising that trope makes it racist and therefore possibly hurtful. Ignorance of the meaning of the trope is not really excusable in regards to the show's producers, who should of been aware of how such an act would have been received.

    In short, the only real defence the Hey Hey Its Saturday people had regarding the whole black-face occurance was 'Oh, it was only in the name of good fun.' Which, let's face it is also the excuse used to allow racist jokes. 'It's all in good fun' is a very dangerous little excuse, because it a) excuses ignorance of an obviously racist form of entertainment, whilst b) ignores the possiblility of offence being taken by others, and c) sets up a false dichotomy where racist entertainment is on the side of happy-go-lucky people who just don't see what the fuss is all about whilst those who argue against racist forms of entertainment are fun-hating puritans. This dichotomy is really prevalent in Australian culture already, and it makes combatting racism really, REALLY difficult. Especially as the foundation of such a dichotomy is essentially false.

    In regards to the second incident involving fried poultry, the problem we have here is not someone using a trope in ignorance of its meaning, but of two tropes from two different cultures clashing each with different meanings.

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  3. I'm totally irritated by the fact that this conversation even contains the words "African-American". Since when did all people of dark skin become African-American? Honestly, American's, African, milky coloured, white and albino alike need to be completely disredarded in all matters. Does the average American even know where the West Indies is? What cricket is? No indeed, they all have their heads firmly up their own arses due to the fact that they've no reason to attempt a general understanding of a single other culture beyond their own borders because every one else allows them to simply dictate to them of the superiority of the American culture. They should bugger off!

    And as a cricket fan I can tell you that on the pitch sledging has occurred in the past that is racist and of the sort culturally relavent to the person being sledged; in India, the West Indies, Pakistan and Sri Lanka, and that didn't make American news. Because they have no idea about anything not relating to fast food. And this is really the point isn' it.

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  4. My Dear Miss Leonora,

    I believe this is a statement that falls into the 'Australian Tropes that are somewhat negative to examples of American Cultural Imperialism' that I spoke of earlier. (And I shudder, giggle, AND puke in my mouth at the same time as I type in the phrase 'American Cultural Imperialism')

    This being said, discussing African-American's is somewhat unavoidable when the example used in comparison to the KFC debate was the Black Face Minstrelsy affair on Hey Hey It's Saturday which very much is an issue regarding African-Americans.

    In regards to the KFC debate, indeed it is an issue about whether the advertisment is offensive to West Indies people. Again the only reason African-Americans are mentioned here is that Americans when viewing an Australian film clip out of context are misintrepreting the text via their own discourse. Alas, one can argue that the American discourse is somewhat insular, (I like to refer to it as The People Republic of America) but the point was that we have an international arena and yet no governing body or culture of ettiquette as yet to support inter-cultural clashes such as these. It's obvious by the 'Young Turk' clip that America and American's consider their discourse to be the dominant and therefore internationally upheld discourse on the net. But as you can see, perhaps a country that has the most internet users would be more appropriate for such a concept.

    Either way, Miss Leonora, do please continue with your scorn and mockery of those who are judged inferior!

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  5. I agree with you, Algy. (I may call you Algy, mayn't I?) I think that this advertisement and the Hey Hey sketch are fundamentally dissimilar, but I differ from you in my sense that an ignorance concerning the provenance of blackface is not so dreadful a thing. What is more, I suspect that people would have reacted less antagonistically had the program been American, and therefore produced by people who were fully cognisant of what they were doing, and who were therefore deliberately invoking it.

    Incidentally, I saw a black fellow in New Orleans, dressed as a pirate with whiteface on. He was a busker: most amusing.

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  6. I will.

    I completely understand what you saying, and agree that the Black Face Minstrelsy affair on 'Hey Hey, It's Saturday' was abhorrant. However, the only course of action in such affairs pertaining to the international arena in my opinion is to tell the ignorant when they are wrong and I reiterate, to bugger off. In this way they might be perhaps persuaded to educated themselves. There need be no international governing body of ettiquette while the educated go to the effort to point these things out. What KFC does with their advertising is their own business and I care not, but the propensity to call Australians racist at every racist and unracist turn is just American stupidity. I think it is evident that Australians have managed to keep something of thier own culture despite American Cultural Imperialism, and should inspire other cultures (of far more worth than ours!) to tell The Great Republic to bugger off as well!

    And also, can we petition The People's Republic of China to initiate such an international body? I like the cut of their gib and their pale blue PJs, and also it would piss off Americans. I would say India, however they have already lost the battle of cultures and I am afraid that is as much to British and Australian forms of Imperialism as much as it is to American.

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  7. My dear people,

    Of course you may address me as Mr Misanthrope! And may I say I hate you with a passion for dropping in a passing reference to a holiday in New Orleans as though it were no big thing. Hatred.With.A.Passion!

    I think my annoyance at the Black Face affair had more to do with the ignorance of the producers. They are professionals in an industry that regular entertains big names from America. As much as kow-towing to American's may be galling to Mme Leonora, offending ones guest is an affront to everyone, no matter how simple those guests may be.

    I must disagree with Mme Leonora on whether or not we need a governing body of ettiquette etc. As the world, in all its polycultural glory becomes more and more connected in cyberland, I feel we'll have many many more examples of said misunderstandings happening.

    We are in agreeance on the blue p.j's though. And blue denim train driver hats are hot!

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